Mysterious Lucania

Lucanian Harps

Today, Salvi harps are elegant and refined instruments used by great interpreters in the most prestigious theatres, which qualify these harps as leaders in the world market. One thing to remember is the marvelous story of Victor Salvi who was aroused by a tiny Lucanian village...

Salvi Harps

*Oggi le arpe Salvi sono strumenti eleganti e raffinati, usati da grandi interpreti nei teatri più prestigiosi e che qualificano l’azienda come leader del mercato mondiale, ma bisogna ricordare che le storia meravigliosa di Victor Salvi ha preso le mosse da un piccolo paese lucano... Legge

Old Irish Ballad

Poem of Lucania

Lucania

The idea of Lucania manifested through the God of harvest

Traced back to Ireland in a place so fertile and far west...

Buried in it were gods and princes and knights from Forenza

Witches and Druids and temples of Hera...

Gargoyles of pervertion stare as if guarding a portal...

Cathedral crypt creatures reign as if immortal

Under the earth flowed the subterranean river Acheron...

Forming the borders of hell, a river of pain now gone

Rolled into tongues some dialect tainted Gaelic...

Thirteen villages thriving now on some fancy old wick

Notes and beats lived through Irish ruins

Where a factory of harps reflects the port of Rathmullan

Poem by Jackelin J. Jarvis ©

La Nostra Storia

Nell'Ottobre del 2002 Frank Cogan, Ambasciatore d'Irlanda a Roma, fece una visita ad Acerenza, un piccolo paese dell'interno della Lucania, Sud Italia. Lo scopo era quello di rinsaldare un contatto con un antico clan gaelico che si era insediato in questa cittadina fin dal 1607. Da quella visita, dalle domande rimaste senza risposte che l'ambasciatore fece riguardo alle vicende storiche del paese, della regione e del clan dei macGlinni, è nata una ricerca che ha fatto riemegere dalle nebbie del passato storie straordinarie. Questo blog vuole rendere note queste ricerche e gli straordinari risultati che sono stati raggiunti. Antichissime popolazioni dimenticate o confuse dalla storia ufficiale, Pitagora, Giuliano l'Apostata, terapeuti, monaci irlandesi, cavalieri normanni, Crociate, templari, pirati, scuole misteriche, nobili famiglie gaeliche, massoni ed illuminati in un intreccio complesso e sorprendente risorgono per rivendicare il ruolo che hanno svolto nella storia. Materiale inedito, scenari completamente diversi da quelli usualmente studiati dalla storia ufficiale permetteranno di incontrare e conoscere tutti i protagonisti di questa lunga ed eccezionale vicenda. Non è dunque un caso se, in questa fantastica avventura, viene ritrovato per la prima volta L'AUTORITRATTO DI LEONARDO DA VINCI, rimasto nascosto per secoli, o LA GEOMETRIA SACRA DELLA CATTEDRALE DI ACERENZA, rimasta nota per secoli solo a chi sapeva vederla, o ancora LA STATUA DI SAN BERNARDO CON BAPHOMET, testimone di un messaggio contenuto nel QUATRE DE CHIFFRE impresso sulla sua testa. Questa ricerca è il frutto di un lavoro difficile, rigoroso, basato su una impressionante quantità di studi e fonti storiche raccolte nel corso di 7 anni. Ha già permesso la produzione di due documentari televisivi, fatti dal regista Fabio Tamburini e dal suo assistente Marco Marini, di diverse importanti conferenze, di pubblicazioni e scoperte sensazionali. Il piccolo paese di Acerenza, con il suo futuro incerto e fosco, insieme ad una intera regione ritrova il suo orgoglio nella forza della propria storia, nella scienza di Pitagora e nell'urlo di guerra di Roberto il Guiscardo. Saranno forse questi fantasmi a ridare l'energia perduta e a far guardare il futuro con occhi di sfida? Non lo sapppiamo, ma ci piace crederlo.

Gianni Glinni
Raffaello Glinni
Jacqueline Jarvis

Nicola Barbatelli

Curious and Curiouser

In the book "Born In Blood: The Lost Secrets of Freemasonry", John J. Robinson writes;

"..... Over the centuries to come, they would be referred to as the Order of the Temple, the Knights of the Temple of Solomon in Jerusalem, and a number of other variations. Two things remained standard, however: Whatever the form of their name, it was always based on the Temple of Solomon, and it always took second place to the popular name they bear still, the Knights Templar." [Page 66] Of course, anyone familiar with Freemasonry would appreciate this last statement, because Freemasonry claims to be founded upon the building of the Temple of Solomon.

IF the cathedral of Acerenza's sacred geometry is in fact the rarest and replicated after the Temple of Solomon, what does this entail?

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OTHER CURIOSITIES USING THE NAME LUCANIA

*Mt. Lucania in 1937, until then, was the tallest unclimbed peak in North America

*The RMS Lucania was a British ocean liner owned by the Cunard Steamship Line Shipping Company, built by Fairfield Shipbuilding and Engineering Company of Govan, Scotland, and launched on Thursday, 2 February 1893.

Lucania: Topographical, Biographical, Historical.
Murders of Father McCarthy, Curate of Lucan, of Dr. Allen, Archbishop of Dublin , and of Luttrell.

From the Preface :

In compliance with the expressed wishes of many of the Lucan people, and of vistors, the "Lucania" sees the light. Like the liner "Lucania" this booklet is now launched on the waters of the reading world. Many and exile of Lucan many a lover of Sarsfield and of Sarfield's birthplace ...
by Rev. William S. Donegan, C.C., 1902.
Dublin
Brown & NOlan Limited, 24 & 25 Nassau Street

1610 lo storico Filiberto Campanile sosteneva che Hugo era nato a Nocera dei Pagani in Campania

Neapolitan genealogist, historian 1600s tells of a noble family of the Naples region in 1610. It so happens that Hugo de Pagano is the son of Pagano de Pagano and Emma. According to the research done by Gianni Glinni, Emma was Emma d’Evreux, sister of Giuditta d’Evreux and Robert of Grandmesnil. The ancestor of Pagano de Pagano, Albertino, was from Breton France. He arrived in Lucania with the Normans in 1014. Albertino conquested Nocera, Pagano, and Forenza only to settle in a town called Troia in Lucania. This information he wrote about was extracted from a document pertaining to Queen Giovanna I D'Angiò who was the queen of Naples in 1340.

“Castelmezzano’s coat of arms” is the official symbol of the small village of Castelmezzano in Lucania, located in southern central Italy. According to tradition, it was granted by Bohemond of Altavilla on his return from the First Crusade in 1105. Bohemond died in 1111. The coat of arms is identical to the famous templar seal. IF Castelmezzano’s tradition holds true, this symbol given by Bohemond happened prior to the official formation of the Order of the Knights Templar, which was developed in 1118/1119. This is one of many proofs showing the formation of this order in Lucania.

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Lucania Mysterious?

WHY IS LUCANIA CONSIDERED MYSTERIOUS?

Lucania is mysterious, in the context of its very definition; "unexplainable, enigmatic or ambiguous, unknown, puzzling, and not yet well understood.

Carlo Levi writes in his book "Christ Stopped in Eboli" that Lucania's story passed right over the heads of the people which populated it. Further, it was a forgotten land located on the edge of a theatre of historical events; one possessing significant importance. The spirit of the protagonists in these events reclaim the role they had played in the story, and we, dedicate our site to them. Mystery resides within the symbols and clues of the protagonists, clues that Lucania knew how to preserve until today; the ones we are seeking to interpretate.

***Carlo Levi scrisse nel suo libro "Cristo si è fermato ad Eboli" che la storia passa in alto sulla testa della gente che popola questa terra. E' una terra dimenticata e periferica che fu teatro di vicende storiche di grande importanza. Lo spirito dei protagonisti di queste Vicente reclamano il ruolo che hanno avuto nella storia, e noi dedichiamo a loro questo sito. Il mistero di cui parliamo sono i segni e le tracce di questi protagonisti che la Lucania ha saputo conservare fino ad oggi e che cercheremo di interpretare.

MARGHERITA NUGENT (1881-1954)

Countess Margherita was the last seignior or feudatory of Irsina. With such competence and caution, she managed her possessions until they were swept from under her with the “Agriculture Reform.” This was followed by a decline which induced Ms. Nugent to move away. She’d been an art scholar of great sensibility and culture, acute and was merited a discovery involving the frescoes found in the crypt of the San Francesco church in Lucania. Evidence of this can be found in her book “"AFFRESCHI DEL '300 NELLA CRIPTA DI S.FRANCESCO AD IRSINA." She was of Irish origin like the Glinny’s, of great nobility, generous and beautiful. It was she who, for the very first time, detected a clear influence of Irish artistry in the paintings presented in the San Francesco crypt. The frescoes from 1300, are today, in danger of being ruined by humidity in the walls. There is little though, the priests can do, but of their own will, seek in preserving them. After the studies developed by Nugent, no one has since advanced the notion of her discovery, nor asked the question: was an Irish influence present here? As Gianni and Raffaello Glinni began to do.

MARGHERITA NUGENT (1881-1954)

Contessina ed ultima feudataria di Irsina; Amministrò con grande competenza ed oculatezza i suoi possedimenti fino a quando le furono tolti dalla "Riforma Agraria". Ne seguì un periodo di declino che indusse la Nugent ad andare via. Fu una studiosa d’arte di grande sensibilità, cultura ed acutezza, ed ha il merito della scoperta degli affreschi della CRIPTA nella chiesa di S. Francesco. Ne è testimonianza il suo volume: "AFFRESCHI DEL '300 NELLA CRIPTA DI S.FRANCESCO AD IRSINA". Di origine Irlandese come i Glinny, di grande signorilità, generosità e bellezza, fu lei a cogliere per la prima volta la chiara influenza di artisti irlandesi nei meravigliosi dipinti presenti nella cripta della chiesa di San Francesco. I dipinti del 1300 sono oggi in pericolo di distruzione per la umidità nelle pareti. Poco può fare il parroco, che con grande volontà cerca di preservarli. Dopo gli studi svolti dalla Nugent, nessuno più ha approfondito la questione della influenza Irlandese, cosa che stanno facendo Gianni e Raffaello Glinni.

The Albano Sanctuary in Lucania presents; the "Rocca del Cappello" a special Lucanian spot where evident signs of an ancient sanctuary were dedicated to the God of Light, God Lugh, the Celtic God. Lucania took its name from Lugh. We have reason to believe that some elements of the ancient Lucanians were of Celtic origin, the "Eburnei" were from "Ebur" what today is "Eboli" set in the province of Salerno,from where Lucania evolved. There are three Lucanian rivers possessing inside their names, a matrix from Celtic divinity; the "Bradano"(Dan=river,Brix=high place), the "Sele" (as in the name Shiela), and the "Sinni river" (as in the Sennain river in France). Numerous places in Lucania originate from the Celts, like the town of "Brienza" from Brien-Abriola from Briol forest, "Vaglio" from Bal meaning fortress. God Lugh was often represented as a large head, a circle,who's the god of light--where in Albano, circles are carved into boulders exactly as they are in Britain.

Joseph “Ottomano” Glinni. Hiberniensis Acheruntino. According to Friederich Munter he was the only Italian linguist of his time, 1700s. He was teacher and friend of Mario Pagano, Caracciolo, Antonio Jerocades; Joseph Glinni taught age-old Greek and linguistics at the University of Naples until 1788, the year when he was substituted by Jerocades. Joseph died mysteriously after burning his studies, and family documents. Some parts were left in tact, and later found by Gianni Glinni in the basement of Glinni mansion in Acerenza; located directly across from the cathedral. They will be shown on this site for the very first time. Still unpublished, they are partly in the form of handwritten manuscripts. Involved were studies on mythology of the ancient Etruscans, the Eburini (people of Lucania) and the Enotri; an ancient Italic population of Lucania, Puglia and part of Calabria. He also deepened the studies on Hercules Acheruntino and his funeral rituals, graveyard myths and those of the afterlife. “Ottomano” was his pseudonym, as he was a member of the “Philanthropy Lodge,” the same confraternity in which Mario Pagano took part. Gianni and Raffaello Glinni are his descendants and are concerned with the studies of his manuscripts, which will be published soon on this site.

Joseph Ottomano Glinni Hiberniensis Acheruntino. Secondo Friederich Munter è stato l'unico filologo italiano del suo tempo, il 1700. Maestro ed amico di Mario Pagano, Caracciolo, Antonio Jerocades, Joseph Glinni insegnò greco antico e filologia all'Università di Napoli fino al 1788, anno in cui fu sostituito da Jerocades. Morì misteriosamente dopo aver bruciato i suoi studi e i documenti della sua famiglia. Parte di questi scritti furono ritrovati da Gianni Glinni nella cantina del palazzo Glinni ad Acerenza, di fronte alla Cattedrale. Li mostriamo qui per la prima volta. Sono inediti e in parte sottoforma di manoscritti. Si tratta di studi sulla mitologia di antichi popoli: degli Etruschi, degli Enotri e degli Eburini. Ha fatto anche approfonditi studi su Ercole Acheruntino, sui riti ctonii legati ai riti funebri e ai miti dell'oltretomba. Ottomano era il suo pseudonimo come membro della "loggia della Philantropia" alla quale apparteneva anche Mario Pagano. Gianni e Raffaello Glinni, suoi discendenti, si stanno occupando degli studi dei suoi manoscritti, che verranno presto pubblicati su questo sito.

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1610 lo storico Filiberto Campanile sosteneva che Hugo era nato a Nocera dei Pagani in Campania

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Glinni Connection

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Basilicata Rich in Petroleum-"the Texas of Italy".......yet people cannot afford to eat

Basilicata and its Unknown Secrets

Save Lucania

Wheat, Lugh, Lucania ...white light

Acerenza "Cathedral City"

Cactus with Jesus

Ancient Glinni Coat of Arms

Templar Seal

Glinni / O'Connor Coat of Arms

Madonna of the Morning Star

Druid Ritual Site in Lucanian Forest

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